Saturday, 2 March 2013

Wellington on a good day

As they say, you can't beat Wellington on a good day - and there have been a string of them lately.

dolphins in wellington 1

One of the best was on Thursday - the official last day of summer (but it seems to be continuing!) when a pod of dolphins came into the harbour. This video was put together by Ro Tierney who also made the beautiful short film Snow on Cuba St, back in 2011 - seems hard to believe with this weather we're enjoying at the moment.

Monday, 25 February 2013

How many?

How many books have you written?

This is another question I often get asked at writer talks. Like How long does it take to write a book?, it's a deceptively straightforward one, which I struggle to answer coherently.

For one thing, there's the matter of size. War and peace counts as one book, but so does a 32-page picture book. (The much beloved picture book Rosie's walk only has about 32 words, let alone pages - but it's a classic, too.)

Some people churn out books at the rate of dozens a year; others only ever produce one masterpiece. What would be the point of asking Harper Lee How many books have you written? What would be the point of asking James Patterson?

I find myself gabbling information about different formats of books and School Journal pieces, but I can sense that the person asking the question just wants a number. Five? Ten? A hundred?.

Sometimes my reply includes the fact that I've written over 80 pieces for the School Journal as well as other educational publications. It's a number, so it feels like it's anchored to reality. But what is a "piece"? A story in the School Journal could potentially resurface elsewhere as a picture book - as happened to Margaret Mahy's wonderful The lion in the meadow (sadly, none of my Journal stories are anywhere near as good.)

Is asking How many books have you written? different from asking How many books have you had published? That's another aspect of the question that I've only just identified. Many writers have a drawerful of manuscripts that have never seen the light of day, but that they needed to write to be able to produce a manuscript that was of publishable standard.

Like that previous question (How long does it take...) , I wonder if there are other things going on in the mind of the person asking it. Maybe it's an attempt to quantify the business of writing: tick off how long, tick off how many.  Maybe we're just used to counting and measuring things.

I think it's good to know that some things can't be counted and can't be measured.

 

Tuesday, 19 February 2013

How long?

How long does it take to write a book?

This is one of the questions that I almost always get asked - by adults and children - whenever I do any sort of writer talk.

Recently I read a post on Melinda Szymanik's blog about the same question, and it made me realise how often I gloss over the answer. There might be a classful of children all waiting impatiently to ask their own question. Or maybe I'm feeling a bit worn out with talking by then and I just give the easy answer. It seems like a straightforward question, so it should have an equally straightforward answer. Shouldn't it?

So what do I usually say? I talk about the difference between writing fiction and non fiction  I explain that I need to do a lot more research for a non fiction book. I might give a wild estimate: six months, a year, two years.

But now I'm wondering if that is what the person asking the question is really asking, and what they actually want to know.

Writing a book is such a mysterious process, one that many non-writers or would be writers (or even writers themselves) are fascinated and intrigued by. I wonder if the person asking this question is really trying to quantify and make sense of the process itself. If I know it takes six months to write a book, they might think, then all I have to do is set aside six months of my life and I will have written one.

But of course it's not like that.

Books are such individual things, the process can't be pinned down - and writers are such individual people. It's true that some books get written astonishingly quickly. The Internet tells me that Robert Louis Stevenson wrote Dr Jekyll and Mr Hyde - now regarded as a classic - in six days. I can't vouch for that, but last year I went to a talk by John Boyne who described how he stayed up for three days existing on little food and less sleep to write The boy in the striped pyjamas. (He said that if he'd had a meeting scheduled on any of those days, his concentration would have been broken and he might never have finished the book.)

On the other hand, some books take years to get set down on the page.

A book for me starts with a germ of an idea that won't go away, and it might take years to develop into something bigger, or to gather other ideas around it. And even then, it' s not a matter of sitting down in front of a sheet of paper or a computer for so many hours, days, weeks and months. As Melinda says, "when you start writing, you don't necessarily write day in, day out until done". For me, it's writing a bit, making notes, going for a walk to try and sort out a problem of plot or characterisation I'm stuck on, stopping to hang out the washing, stopping to cook dinner, having to deal with emails and paperwork, maybe having to meet a deadline for another piece of writing,  checking up on a few facts in the library, writing some more, editing, writing...

At the end of all of that - the writing , the editing, the interruptions, the emails flying to and fro with the publishers - it would be hard to say exactly how long it took to write that particular book.

But it would take a long time to explain all that, so I apologise if sometimes I go for the easier option.

Six months? A year? Two years?

 

 

 

.

 

 

Thursday, 7 February 2013

Book trailer

Anzac Day: the New Zealand story: what it is and why it matters 

Due out March 2013

What is Anzac Day? What does Anzac stand for? Why do we have Anzac Day? Why does it matter? I hope that my new book will answer all these questions and more. You will discover lots of things you didn't know about Anzac Day including what the different parts of the service mean and what happens on Anzac Day, here and around the world.


And you can view the Anzac Day book trailer here.

 

Wednesday, 30 January 2013

Anzac Day: the New Zealand story

Here in Wellington, our New Year has got off to a great start. We are halfway through a promised run of ten days of fine weather - and if you know Wellington  you'll know that ten days of sunshine, 25 degree temperatures and no wind (especially no wind!) is something of a minor miracle.
















The cruise ships sail in each morning, the cruise ship passengers stroll up and down the waterfront and I'm sure they must be thinking what a beautiful city this is - and they're right! The ships sail out again at the end of the day over a glassy still harbour, lights twinkling all around it, and then a huge orange full moon rises over Mt Victoria. it's stunning.

My own New Year also got off to a very good start when I received the advance copy of my new book, so here is the cover:



More details and a book trailer coming soon!

Tuesday, 11 December 2012

Takahe Book Club

A big thank you to the Takahe Book Club at Brooklyn School who invited me to talk to them last week. These are Year 5 and 6 students who have been meeting regularly through the year to read and talk about books. It's great to see kids who are such keen readers. They could all tell me what they'd read and a couple of them arrived late, still reading as they walked in.

They had also prepared some questions and halfway round the circle I had to stop and grab paper and pen to write some of them down. Being given a question that you've never been asked before is a real gift because it always makes you think more about your own writing. So here are some of the great questions they asked:

  • What does it feel like to have a book published?

  • If you weren't an author, what do you think your life would be like?

  • Do you prefer writing books where you make everything up or where you do research?

  • Is writing a book ever boring?

  • How easy is it to make up your characters?

  • What would you like a reader to think about your books?

  • How important is it to have the right name for your characters?


- Not to forget the random question about fish!

I thought these were especially interesting questions because they showed a real grasp of the nature of writing and what it's like to be a writer (and a reader).

So Adam, Hunter, Emma, Michael, Olivia, Shaam, Chloe, Joseph, Jonny, Jessica, Shea, Yusi, Amit, Emma, Xanthe, James, Anna and maybe a few more who couldn't be there today - thank you again (and for your card and gift); it was a treat to come and talk to you all, and I hope you get lots of good reading down over the summer holidays!

 

 

 

Sunday, 2 December 2012

Courage Day 2012

November 15 is marked around the world as The International Day of the Imprisoned Writer. This was started in 1981 by PEN, the international writers' organisation, to acknowledge those who are subject to political, economic or other forms of repression.


Here in New Zealand we call it Courage Day. Dr Nelson Wattie, the New Zealand Society of Authors (NZSA) PEN representative, introduced the recent Courage Day meeting in Wellington. He pointed out that the name refers to the courage that such writers display, but also recalls NZ writers James Courage and his mother Sarah Courage, who both faced opposition because of their writing - in James' case, because he dared to write about homosexuality at a time when such writing was discouraged and could be banned.

This year the NZSA Wellington branch decided to focus on courage shown by writers in a situation close to home, and we invited Dr Jeffrey Paparoa Holman to address us about the courage of people, including writers, in Christchurch, and more generally on writers' courage to speak in stressful and dangerous situations.

Jeffrey Paparoa Holman is a prolific poet, whose books include As Big as a Father (2002), The Late Great Blackball Bridge Sonnets (2004) and Land Very Fertile (2008). This year he published Shaken Down 6.3, a collection of poems, photographs and an essay focusing on the Christchurch earthquake.



He delivered a riveting and moving talk, despite still getting over the effects of jet lag, having only returned last week from the Iowa Residency.

Jeffrey first talked about the courage shown by his family during the war: his father who was in the Navy, and his mother and grandmother who used to talk to him about being bombed in Liverpool during the Blitz. He told us about some of the writers he met at Iowa, in particular a man from Myanmar who in his imprisonment refused to let his art or his work be confined, and treated every item in his cell as a possible art object

Lastly, he read a number of poems from Shaken down 6.3 and talked about the situation in Christchurch: the lingering after-effects - both physical and emotional, the grief over loss of places and buildings around which you had built your memories - but also the greater community spirit, and a creative flowering with initiatives such as Gap filler:

Kristy Rusher

This was the first time that we included the "empty chair" at our Courage Day event. The chair is placed to symbolise a writer or writers who cannot be present because they are imprisoned, detained, disappeared, threatened or killed. It added an extra poignancy to the occasion and to Jeffrey’s wise and moving words about the situation in Christchurch.

Since the meeting, I've been reading through Shaken down 6.3 and have found it a very moving collection. Jeffrey's description of what his parents and grandmother had experienced during the war added more depth to my reading of his poem living with heroes. The book also includes some poems from Japan, April-May 2011, including Densinya rice haiku which uses a frog and an egret in one small ricefield to tell the story of a terrible and enormous  tragedy.