I'm very happy and excited to be shortlisted in the Picture book section of these awards with This is Where I Stand, beautifully illustrated by Kieran Rynhart and published by Scholastic. It's a privilege to be included amongst these five lovely titles - and I know there were many other amazing picture books that came out last year as well, so big congrats to all those writers and illustrators, shortlisted or not.
Friday, 11 June 2021
Saturday, 24 April 2021
Seven years after marking Anzac Day at Gallipoli with the wonderful group of Gallipoli Volunteers (and some thousands of others), it felt very special today to be at another Anzac Day service beside the sea, as the local community gathered on a still and sunny morning at Paekākāriki.
|Poppy tree in the village|
|Getting ready for the Paekākāriki Anzac Commemoration 2021|
Tuesday, 10 November 2020
Thanks to Stefanie McKenna for these wonderful photos of the Thursday walk. (The Saturday one was equally fun, but with worse weather!)
We covered about 7 or 8 of the 23 plaques, between Te Papa and Frank Kitts park, starting with Iris Wilkinson/Robin Hyde and ending with Denis Glover. (Except on Saturday, when the rain finally defeated us before we reached Denis' plaque.)
Thanks also to Constance Talbot for great organising skills, and Maggie Rainey-Smith for excellent co-hosting!
Wednesday, 16 September 2020
Last week I was in the South Island doing a series of school visits, thanks to Read NZ Te Pou Muramura and the Writers in Schools programme.
At Kaikorai Valley College in Dunedin, I did a couple of writing workshops and we talked about using our imaginations to try and look at things in a different way.
Here are four of the wonderful poems that the students wrote as a result - I love the amazing ideas they have come up with.
The ocean is a soft Blue sheet, changing
in the wind and devouring land.
It is a complete different
world, creating a home for fish, sand
and crabs. It’s a shark haven
and a popular place for plastic.
An Ombre is what
the ocean is, made from
millions of blues.
It can be as beautiful as a peacock
or as ugly as a dump
(Grace, Year 7)
The ocean is like a ferocious lion swallowing up its prey,
or a motel for the swimming fish that never get a say,
or a calm blue sheet so inviting and kind,
but the further you go, the more likely you'll find
the home to the sharks, ready to pounce,
their razor sharp teeth will bite even an ounce,
the ocean is home to crabs and fish,
but along with them what is not delish,
a buffet of plastic ready to take
the life of an innocent sea critter,
Poor creature, too late.
The ocean is a war that cannot be won.
(Jordan, Year 7)
Standing tall in the mountains,
A spike pointing towards the sky,
Green as grass on a summer’s morning.
In winter decorated with tinsel and lights
As bright as the sun.
Pine needles litter the ground
Like a soft blanket to walk on
(Cody, Year 10)
A pine tree is a spear pointing to space.
The smell reminds us of the outdoors.
A pine tree is Earth’s lungs,
The swooshing sound keeps up at night.
Green covering of the hills,
Place which is called home for many animals.
The playground for many children.
The colour of classroom paint,
Rocket which is unable to take off,
The structure for a bird’s home.
(Josh, Year 10)
Sunday, 6 September 2020
Wife after Wife is the dazzling debut of Olivia Hayfield, and simultaneously the first adult novel by Auckland writer Sue Copsey, who launched her pen-name alter ego after winning a Pitch Perfect competition run by the New Zealand Society of Authors at their AGM in 2018. The prize was consideration of a manuscript by High Spot Literary’s Vicki Marsdon and Nadine Rubin Nathan.
I remember being there when the winner was announced, the congratulations that flowed from everyone in the room to Sue, and her utter astonishment. Over the next few months, this news was followed by even more excitement when High Spot Literary sold it to Little, Brown Book Group in the UK in a two-book publication deal.
Wife after Wife is a retelling of the life of Henry VIII and his marital and other adventures, wittily interweaving Elizabethan intrigue with modern-day romance. Beginning in the pre-internet 1980s, it brings us almost right up to the present day, ending in the #MeToo era which clearly spells trouble for Henry. Part of the enjoyment is watching as the social history, music, celebrities and major events of each decade slide by, as well as changes in the media industry and in the skyline of the city of London.
For prior knowledge, I relied on the Tudors and Stuarts from 7th form history, back in the days before we studied any NZ history, as well as tourist-y visits to various UK castles and museums. But even if all you know about Henry VIII is that he had six wives, that’s more than enough to enjoy this book, especially as the fates of the six are neatly summarised on the front and back covers (Divorced, murdered, died… Divorced, departed, survived).
Henry VIII becomes Harry Rose, rich and powerful heir to a media empire. We know he is “wickedly good-looking” because of the effect his good looks have on almost everyone he meets. He’s charismatic, good company, full of “exuberant self-confidence”. He’s also impulsive, selfish, and gradually more and more haunted by his conscience.
Each of the six wives is similarly translated into modern times with minor adjustments to their names (like Ana for Anne, or Janette for Jane) and a few tweaks to timelines. Almost every minor character also has an Elizabethan equivalent, one of the most unexpected but cleverest being Sir Thomas More’s modern day Terri ‘Baskin’ Robbins-More, editor of one of Rose Corp’s top magazines, whose nickname is due to her instinct for a good scoop.
But Wife after Wife is more than a smart retelling of history (with a snappy title). It’s spicy and deliciously sexy while managing to avoid the embarrassing pitfalls of “naming of parts” and “what goes where”. It’s very funny, and you get the feeling that the author herself had enormous fun bringing Henry and his wives and children into today’s world, as well as taking them on the annual rounds of the English social calendar.
Everyone will have their favourite wife, and themes of female friendship, motherhood, pregnancy and loss are sympathetically handled, but the book also manages to tell Henry Rose’s story from a position of empathy and understanding, without whitewashing his flaws, which considering his many infidelities is an accomplishment in itself.
I’m now even more excited that this was a two-book deal and looking forward to the sequel, focusing on Harry’s children: Sister to Sister.
Like many recent book releases, this one has been impacted by covid19. But bookshops are open again now, so get to your local indie bookseller and ask for Wife after Wife!
Tuesday, 25 August 2020
The Wakefields haven’t gone down well in history, more notorious for scandals like Edward Gibbon Wakefield’s abduction of a 15-year-old heiress than celebrated for any of their achievements. Despite the evidence of Point Jerningham, I hadn’t even heard of Edward Jerningham Wakefield (apparently the Wakefield males of Edward’s line all shared the same first name) so I wasn’t sure what to expect from this book. Drawn in by the striking cover by Rakai Karaitiana, what I found was a colourful and detailed picture of 1840s Wellington.
When we read and think about the 1840s, our attention is often drawn to the north: the signing of Te Tiriti at Waitangi, the rowdy town of Kororāreka, the fledgling settlement of Auckland. In Jerningham, Sanders presents us with the shiploads of bewildered new settlers who had left behind everything they knew and sailed across the world, fooled by the rhetoric of the New Zealand Company’s advertisements into believing that their land purchases were legal, and expecting a more established community than the cluster of tents and ramshackle buildings on the windswept beach of Pito-one.
Some of the characters in this book are real: Colonel William Wakefield, Captain Arthur Wakefield, Charles Heaphy, Ernst Dieffenbach, Te Puni, Te Rauparaha, Te Rangihaeata – and, of course, Jerningham himself. Others, including the narrator, Arthur Lugg, are not.
Edward Jerningham Wakefield from the frontispiece of his book Adventure in New Zealand, Christchurch, Whitcombe & Tombs, 1908 (First published in 1845). Artist unknown.
Arthur Lugg arrives on the Aurora, one of the first settler ships. He is a bookkeeper, the son of a clergyman, and only recently rich, thanks to an inheritance received by his wife who died soon afterwards. There is no hint of foul play here – Arthur Lugg is a completely upright Victorian chap, conservative, a little clumsy but generally well-liked, intensely loyal to the Queen and the Crown, and a hard worker who terms himself the “invisible man” as he slogs away on paperwork for the burgeoning Wakefield settlements. Nevertheless, despite or perhaps because of the difference in their temperaments, he falls under the spell of the wild and mercurial Jerningham. He also falls in love on the journey out with a young woman called Ada Malloy, but due to various machinations – not of his making – ends up married instead to the quiet and beautiful Dorothy, oblivious to the rumours that swirl around her.
With Jerningham, Arthur Lugg travels to Kāpiti, Wanganui (as it was then) and up the Wanganui River to the central North Island, as yet hardly glimpsed by Europeans. After a personal crisis, his travels also take him to Nelson in time to be embroiled in a crucial point in the history of that new settlement and of Māori-Pākeha relations.
Wellingtonians (especially) will be fascinated to trace the early days of today’s city as familiar streets are formed and buildings erected. Sanders treats her material with confidence, and her sailing experience on tall ships shows in her descriptions of weather and in the often frightening and totally believable scenes on board small and large boats. On land, earthquakes add to the general sense of unease. We see the growing tension and distrust between the New Zealand Company and Governor Hobson, the constant presence of the surveyors, the pressure on the Company to prepare for the hundreds of settlers they have already – with whatever motives and degree of truth - enticed to their unformed towns and the misunderstandings and illegal land dealings that will lead to the disaster of the Wairau Affray and later confrontations.
Point Jerningham, at the far end of Oriental Bay, will now serve for me as a reminder of a young man who was deeply flawed but drew people to him – both Māori and Pākeha, according to this retelling – with his combination of brilliance, good humour, impulsiveness, exuberance and daring.
Sanders writes intentionally through the lens of the 1840s and points out In her author’s note at the end of the book that “the attitudes to race, culture, gender and class.. are not designed to offend or provoke, but to illustrate the common perspective among 1840s colonials.” However Arthur Lugg, her narrator, comes across as perhaps more enlightened than some. He is curious about the Māori whom he meets in Wellington and on his travels with Jerningham, in awe of the magnificent physique of the men and the beauty of the women. He tries to learn te reo and tell us that his accent improves over time, and worries that the New Zealand Company’s land purchases are illegal. He even owes his life to Te Puni, who rescues him from drowning.
This is Cristina Sanders’ debut novel, released by Wellington publishers The Cuba Press and printed by Wakefield Printers, both of them – in a nice piece of synchronicity – located on Wakefield St. She is also the winner of the 2019 Storylines Tessa Duder award for an unpublished manuscript. That book will be published by Walker Books next year, and I’m sure there will be more.
To hear Cristina Sanders talking about Jerningham, the Wakefields and the messy, fraught, flawed and often ugly business of colonialism, listen to this interview on Radio NZ, recorded on the day of her book launch at Unity Books.
Roseneath, Oriental Bay, Point Jerningham (in foreground) and Point Halswell, Wellington New Zealand (russellstreet / CC BY-SA (https://creativecommons.org/licenses/by-sa/2.0)
Wednesday, 19 August 2020
This is the other children's novel (along with The Great Chocolate Cake Bake Off) that I've recently re-released under the Pipi Press imprint.
A deadly disease is sweeping the world and nobody knows how to stop it. Twelve-year-old Tom Mitchell can't even see his best friend Charlie. He wonders when the lockdown is ever going to end. And then things get worse. It might all sound familiar, but this is New Zealand in 1937-38. The disease is infantile paralysis, or polio, and nobody knows where it will strike next.
When Enemy at the Gate was first published, something strange and unexpected happened. As soon as it was in the shops - or actually sooner; the first time was a conversation I had with one of my children's teachers - people started coming up to me to share their own stories of polio. Almost everyone over a certain age - old enough to remember the 1950s or early 1960s - knew someone who had been affected by polio. Some had even had it themselves.
Whenever I have taken this book into schools, I have said to the students: in the polio epidemics, schools were closed - do you think that would be fun? There are always a lot of enthusiastic yesses. Then I explain that as well as schools, movie theatres and swimming pools were closed, you couldn't visit your friends' houses - and you still had to do school work!
This has always felt like describing history - now it's describing their own lives.
I had already planned to release this title last year, but earlier this year under Level 4 lockdown, I had a number of requests from teachers asking where they could buy a copy. They were keen to use it as a "compare and contrast" text with their students, but I hope it's also seen as a good classroom read.
Big thanks to my wonderful editor Sue Copsey (who also edited The Telegram) and to designer Cheryl Smith who produced this beautiful cover. I love its unsettling sense of yearning and uncertainty.
Thank also to the invaluable NZ children's lit website The Sapling for this review.
You can find Enemy at the Gate in bookstores, including The Children's Bookshop in Kilbirnie, Wellington.