Courage Day 2014

November 15 is marked around the world as The International Day of the Imprisoned Writer. This was started in 1981 by PEN, the international writers’ organisation, to acknowledge those writers around the world who are subject to political, economic or other forms of repression.

Here in New Zealand we call it Courage Day, but many people don’t know why, or assume it is called Courage Day across the world, because the name seems so appropriate.

New Zealand Society of Authors (NZSA) members are encouraged every year to mark this day in some way. In the past, we have had some compelling speakers who have helped us to explore the idea of courage in writing. 

This year, a small but committed group of NZSA Wellington branch members met on Thursday 13 November to explore the meaning behind Courage Day and to remember, acknowledge and support those writers who are imprisoned or in danger because of what they write.  An empty chair stood as a silent representative of those who cannot come to this or any other meeting because they are in prison or under restraint, due to their writing.

• The story behind Courage Day

Courage Day is named after two writers, Sarah and James Courage (grandmother and grandson). You can read about them on the Christchurch City libraries website.

Sarah Amelia Courage (1845? – 1901) wrote a memoir in about 1896 called Lights and shadows of colonial life: twenty six years in Canterbury, New Zealand (by “A settler’s wife”). Many copies were burned by angry neighbours who didn’t like what she had written about them. James Courage’s 1959 novel, A way of love, was banned as indecent because he dared to write about homosexual love.

Heather Hapeta reminded us of other NZ writers and artists whose work has been banned over the years, including Eddie Rout (Safe marriage, 1926), Jean Devanny (The butcher shop, 1926) and Ans Westra (Washday at the Pa, 1964). 

Maggie Rainey-Smith spoke about the jailed Australian al-Jazeera journalist Peter Greste, imprisoned in Egypt with two colleagues since June 2014 on charges of “aiding terrorists, smearing Egypt, and doctoring footage”. A newly issued decree allowing the deportation of foreigners accused of crimes on Egyptian soil is news that may hopefully lead to his release. Maggie spoke of hearing his mother interviewed on Radio NZ about how heart-wrenching it was to see her son appear in a Cairo court, shackled and without a translator. Elsewhere, Lois Greste has described visiting her son in an Egyptian prison for the first time as one of the most difficult days of her life.

Jailed al-Jazeera journalist Peter Greste, who was among three men jailed in Cairo in June on terror charges. Photograph: Khaled Elfiqi/EPA

Lesley Marshall is the NZSA Writers in Prison committee co-ordinator and sends out numerous postcards to imprisoned writers. Recently she received a reply from Aron Atabek, a Kazakhstan poet imprisoned for writing a book critical of his government - and not just a reply but a poem, which Frances Cherry read out for us. 

There is an empty chair in New Zealand –

Kept for me on writers’ congress,
That is the God to turn me –
Back to an ‘environment’, to a writer’s place!

The National Poetry Day event at the Butter Factory in Whangarei collected about 20 signatures and messages from the audience on a card for Aron Atabek, The event featured an empty chair displaying his photos and poetry, and Piet Nieuwland took a photo of it to include in the card.

Every year, PEN international highlights the situation of a number of particular writers. This year they included poet and writer Enoh Meyomesse, currently held in prison in the Cameroon, and I read out a brief bio of his work and an excerpt from his prison journal:

"... what's hardest for me is my eyesight. After those 30 days in total darkness in Bertoua, it's starting to go. My greatest worry these days is that before long I'm going to find myself totally blind..." 

Dieudonné Enoh Meyomesse is currently serving a 7 year prison sentence for supposed complicity in the theft and illegal sale of gold. 

• For more info about Courage Day or the International Day of the Imprisoned Writer, see:

New Zealand PEN page

PEN InternationalFacebook page

'I hope that you find comfort in the fact that your words echo far and wide, reaching hearts and minds beyond the bars of your cell, beyond the walls of your prison, reminding us that the freedom of speech is worth fighting for.' (Elif Shafak writes to imprisoned Chinese writer Gao Yu.)

Courage Day 2012

November 15 is marked around the world as The International Day of the Imprisoned Writer. This was started in 1981 by PEN, the international writers' organisation, to acknowledge those who are subject to political, economic or other forms of repression.

Here in New Zealand we call it Courage Day. Dr Nelson Wattie, the New Zealand Society of Authors (NZSA) PEN representative, introduced the recent Courage Day meeting in Wellington. He pointed out that the name refers to the courage that such writers display, but also recalls NZ writers James Courage and his mother Sarah Courage, who both faced opposition because of their writing - in James' case, because he dared to write about homosexuality at a time when such writing was discouraged and could be banned.

This year the NZSA Wellington branch decided to focus on courage shown by writers in a situation close to home, and we invited Dr Jeffrey Paparoa Holman to address us about the courage of people, including writers, in Christchurch, and more generally on writers' courage to speak in stressful and dangerous situations.

Jeffrey Paparoa Holman is a prolific poet, whose books include As Big as a Father (2002), The Late Great Blackball Bridge Sonnets (2004) and Land Very Fertile (2008). This year he published Shaken Down 6.3, a collection of poems, photographs and an essay focusing on the Christchurch earthquake.



He delivered a riveting and moving talk, despite still getting over the effects of jet lag, having only returned last week from the Iowa Residency.

Jeffrey first talked about the courage shown by his family during the war: his father who was in the Navy, and his mother and grandmother who used to talk to him about being bombed in Liverpool during the Blitz. He told us about some of the writers he met at Iowa, in particular a man from Myanmar who in his imprisonment refused to let his art or his work be confined, and treated every item in his cell as a possible art object

Lastly, he read a number of poems from Shaken down 6.3 and talked about the situation in Christchurch: the lingering after-effects - both physical and emotional, the grief over loss of places and buildings around which you had built your memories - but also the greater community spirit, and a creative flowering with initiatives such as Gap filler:



This was the first time that we included the "empty chair" at our Courage Day event. The chair is placed to symbolise a writer or writers who cannot be present because they are imprisoned, detained, disappeared, threatened or killed. It added an extra poignancy to the occasion and to Jeffrey’s wise and moving words about the situation in Christchurch.

Since the meeting, I've been reading through Shaken down 6.3 and have found it a very moving collection. Jeffrey's description of what his parents and grandmother had experienced during the war added more depth to my reading of his poem living with heroes. The book also includes some poems from Japan, April-May 2011, including Densinya rice haiku which uses a frog and an egret in one small ricefield to tell the story of a terrible and enormous  tragedy.