Ideas that go bang!

Lovely session this morning with Belgian picture book illustrator, Leo Timmers, another of the Writers Week speakers who are published by Gecko Press. His titles with them include Bang and Who's driving?  I've seen both of these books, but will have to read them again in light of some of his comments.

Leo talked about his way of gathering ideas (not using a notebook, but only in the quiet of his studio), why he prefers painting to illustrating on the computer, why he uses animal characters and what makes a good picture book - something he thinks that reviewers often miss. "When reviewers review books, I can often tell they haven't looked." A picture book should be "visual story telling", not an illustrated story. 

He further explained this by describing some of the spreads in Bang, which on the surface is a simple tale about a series of car accidents - but when you look closer, there is so much more going on, in the colours, and the stories behind the surface story (the hungry rabbits, the lovestruck cats, the chickens rescued from a terrible fate.)

One of the questions asked was about whether Leo sees some underlying theme to all his stories, and he thinks perhaps it's identity: wanting to fit in, to find out who you are.

If you haven't come across any of his books, you should hunt them out - find a child to read them to - and look below the surface story. The child may well spot what's going on before you do! 

Sunday at Writers Week

Sunday morning, an early start for the 9.15am Creating Readers session. This involved Kids' Lit Quiz creator Wayne Mills and early childhood specialist Celeste Harrington, talking about the results of a survey carried out amongst last year's Kids' Lit Quiz contestants. 

Quizmaster Wayne Mills at a New Zealand quiz

These children are in Years 6-8 and aged from 10-12, and are already keen and confident readers. Between March-June 2013, nearly 1600 of them from around New Zealand filled out a survey asking them to list the book they were currently reading and also their favourite authors and titles. Wayne and Celeste spent hours entering and analysing the data and have come up with some fascinating preliminary results. They hope to produce a paper on their findings, and perhaps carry out a repeat survey at some stage in the future.

Some of the findings that were immediately obvious were the predominance of series books (only 2 of the top 20 titles were not part of a series) and the effects of globalisation. Wayne commented that wherever he goes around the world, he can walk into a bookshop and find the same popular children's books on sale. He also remarked on the very wide range of books that these children read - from picture books to adult titles, but pointed out that the range is much wider for girls than for boys.

The audience had a go at picking the top 10 titles, top 10 stand alone titles (ie not series books), top 10 male and female authors and top 10 New Zealand authors and titles. Some were unsurprising, others were unexpected. (And if you are wondering: top NZ author listed - Margaret Mahy. Top NZ title - Hairy Maclary!)

The session with Swedish children's writer Ulf Stark was a total delight. It also introduced us to his lovely wife Janina, who teaches children's literature at Stockholm University, and revealed another side of his Gecko publisher Julia Marshall, who is fluent in Swedish and acted as his translator. (Ulf said he was going to speak in Swedish "because you all have to learn this beautiful language.")

Julia said that Ulf had written over 30 books, but later he revised that to over 60 - "but maybe only 30 good ones!" She promised to introduce us to the "warm, funny, sometimes sad and very humane world" of his writing, and asked if he would ever have expected books to bring him out to New Zealand. "I didn't even know in the beginning that there was a country called New Zealand," Ulf declared, "and I almost still can't understand that I'm here, although I had 40 hours to understand this on the way here. But I've always loved the feeling of coming somewhere else. When I was little, the idea of 'coming somewhere else' was what you did when you read, looking and travelling into another place, another country, another time, other people's minds."

Ulf told some lovely anecdotes from his childhood, about his "nasty brother" ("not so nasty",) and his mother reading to him while his father stood in the doorway making suggestions about books filled with facts to read instead. He started as a poet, and sees poetry as similar to picture book writing in that it requires "a small amount of space to say what you want to say."

Julia asked why he tackles subjects like death in his writing, for example in Can you whistle, Johanna? Ulf said, "Death is a part of life and every child and adult will meet it, one way or another... and I don't think you win so much by trying to bury it. I think it's a good thing to meet some of these sad things as a child - often it's the parents who are more afraid that the child is." He describes Can you whistle, Johanna? as being "about the importance of living" and "how you can taste the small fruits of life."

Ulf also gave us a lovely description of his latest book, The shadow children and we also heard why he never wants to write detective stories (because "it's important to get down to the deep, and that's hard if there's too much tension on the top.")

It was unfortunate (sad both for him and for the audiences looking forward to hearing him) that Francis Spufford had to cancel his NZ appearances, but the end of the day was marked by a very successful book launch for Mary McCallum's new children's novel Dappled Annie and the Tigrish, published by Gecko Press. It was made an extra special occasion by the presence of the four Gecko authors and illustrators visiting for the festival (Ulf Stark, Leo Timmers and Aleksandra and Daniel Mizielinksy.)